99

One wonders how the Scholz draftsman gained access to Dosio's drawing. Moreover, in addition to the seventeen copies after Michelangelo's Florentine architecture in the Uffizi, identified by Tolnay, Wurm has noted that the Scholz drawings of the Palazzo Massimo alle Colonne in Rome are very closely related to two further sheets by Dosio, Uffizi 371A and 3244A [FN 16: Wurm, Palazzo Massimo, p. 53; see also Frommel, Römische Palastbau, II, p. 239]. Thus, the provenance of the scrapbook's architectural drawings appears, in part, to be closely related with the rich stock of such drawings that Dosio made and accumulated. […] The watermark is found only in Italian paper of around 1566–72. [FN 17: Charles- Moise Briquet, Les Filigrans (Leipzig, 1923), no. 6097]