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001
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DR1964:0016
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002
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NAME(S)
Unknown, Italy, 16th century draughtsman
TITLE
Elevation for an altarpiece frame; verso: Sketch for a frame, probably for an altarpiece
DATE(S)
16th century
PHYSICAL DESCRIPTION
1 drawing(s)
pen and brown ink with brown, grey, and some red wash
sheet: 40.7 x 26.4 cm
INSCRIPTIONS
inscribed and dated - by an unknown hand, in pen and brown ink, t.: "Laquite ... mamio il uio poramento no [?] ..."; b.: "questo barnmento no n intende ... / conto ... opero / ... in fu"; throughout: with dimensions and colour of materials [?]; and verso: "... Lavando for zdd germano 1508 ...[?]"
inscribed and numbered - by an unknown hand, in graphite, verso, l.r.: "T [?] 26632 / #5" [in a circle; inventory number ?]
NOTES
- This elevation is for an altarpiece frame which has a single rectangular panel surmounted by an entablature and sculpted birds within an arched surround. The frame is embellished with consoles and rosettes. Red wash is used, probably to indicate marble panels. The sketch on the verso is probably also for an altarpiece frame. It is composed of a rectangular frame with classical elements characteristic of Italian altarpiece frames.
SOURCES
- "Italian, 16th century." 'Dealer's Description.' 20 February 1964.
KEYWORDS
volutesrosettespedimentpanelsline drawinggeneral viewentablatureelevation (drawing)drawingsdesign development drawingcorbelsarchitecturearchitectural framearched surroundaltarpiece
DR1964:0016:002 R/V
Collection Centre Canadien d'Architecture/
Canadian Centre for Architecture, Montréal
Existiert in
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DR1964:0016
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003
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DR1964:0016
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004
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NAME(S)
Unknown, Italy, late 16th century draughtsman
TITLE
Elevation for an altarpiece frame with Corinthian columns and a broken pediment
DATE(S)
late 16th century
PHYSICAL DESCRIPTION
1 drawing(s)
pen and brown ink and brown wash with purple watercolour over graphite or possibly black chalk
sheet: 42.0 x 27.9 cm
- The l.l. corner of the sheet is missing and the sheet has been trimmed at the t., cutting off part of the image.
INSCRIPTIONS
inscribed - in an unknown contemporary hand, in pen and brown ink, throughout: with measurements and building materials and their colours
signed - by the collector, in pen and brown ink, c.: "J Talman"
inscribed and numbered - by an unknown hand, in graphite, verso, l.r.: "T [?] 26631 / #6" [inventory number ?]
NOTES
- This elevation is for a rectangular frame for an altarpiece with a marble block, possibly the altar, within an arched surround. The altarpiece is flanked on each side by two Corinthian columns and is surmounted by an entablature with a bas-relief of a cherub, a broken pediment with volutes, and a cross.
KEYWORDS
volutespedestalpanelsgeneral viewfinished drawingelevation (drawing)drawingsdesign drawingcross (visual work)Corinthian ordercolumns (architectural elements)broken pedimentbas-reliefarchitecturearchitectural framearched surroundaltarpieceaedicules
DR1964:0016:004
Collection Centre Canadien d'Architecture/
Canadian Centre for Architecture, Montréal
Existiert in
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CCA
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DR1964:0016
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DR1964:0016
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Existiert in
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Montreal
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CCA
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DR1969:0015
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NAME(S)
Unknown role unspecified
TITLE
Elevation and plan of an arched entranceway, flanked by paired columns, surmounted by an elaborate stepped pediment (an aedicula)
DATE(S)
16th century
PHYSICAL DESCRIPTION
1 drawing(s)
pen and brown (iron gall) ink, with brown wash
Sheet: 30.8 x 18.9 cm
INSCRIPTIONS
inscribed - (illegible inscriptions, verso, pen and brown ink, upperedge, artist's hand)
NOTES
Myra Nan Rosenfeld suggested (20 February 1980) that thiswas "maybe after Vignola" (1507-1573).
SOURCES
KEYWORDS
plan (drawing)elevation (drawing)drawingsarchitecturearched entranceaedicule
DR1969:0015 R/V
Collection Centre Canadien d'Architecture/
Canadian Centre for Architecture, Montréal
Existiert in
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Montreal
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CCA
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DR1969:0016
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NAME(S)
Unknown draughtsman
TITLE
Design for an altarpiece frame
DATE(S)
16th century
PHYSICAL DESCRIPTION
1 drawing(s)
pen and brown ink and wash with black chalk
sheet: 32.4 x 16.8 cm
INSCRIPTIONS
inscribed - by the draughtsman, in pen and brown ink, u.c.: with an illegible inscription on panel above arch; c.r. and l.r.: with illegible numbers
inscribed - by an unknown contemporary hand, in pen and brown ink, verso, c.: with an illegible inscription; and c.r., c. and l.c.: with several calculations
NOTES
- This drawing represents an altar, perhaps a shallow side altar of a type increasingly demanded by the Counter-Reformation cult of saints. The dimensions of the rectangular form between the column pedestals (6 x 3 3/4 piedi, according to scale) are appropriate for an altar table. Freehand perspective on the inside right face of the arch indicates the shallowness of the niche, most likely meant to contain a devotional image in the form of a panel painting. A plan of one pair of the engaged columns figures on the lower right. The cardinal's hat signals a religious patron whose coat of arms once appeared in the now badly- abraded centre of the cartouche.
See DR1969:0015 for a (superficially ?)similar drawing and MNR note on same.
- This design is an example of one of the many uses made of the Roman triumphal arch by Renaissance architects. The composition and ornementation of the area above the main entablature (the zone of greatest innovation in most adaptations of the Roman triumphal arch) point stylistically to Italy in the last decades of the 16th century.
SOURCES
- Blau, Eve, and Edward Kaufman, eds. 'Architecture and Its Image: Four Centuries of Architectural Representation, Works from the Collection of the Canadian Centre for Architecture', (Montréal: Centre Canadien d'Architecture/Canadian Centre for Architecture, 1989), p. 162, cat. no. 3.
- Blau, Eve, and Edward Kaufman, eds. 'L'architecture et son image: Quatre siècles de représentation architecturale, ouvres tirées des collections du Centre Canadien d'architecture' (Montréal: Centre Canadien d'Architecture/Canadian Centre for Architecture, 1989), p. 162, cat. no. 3.
- Steiner, Rochelle. 'Wonderland', with contributions by Giuliana Bruno, Beatriz Colomina, Terence Riley, and Margie Ruddick (Saint Louis, Mo.: The Saint Louis Art Museum, 2000), p. 114, repr.
KEYWORDS
renderingline drawinginterior designelevation (drawing)drawingsdesign development drawingaedicule
DR1969:0016
Collection Centre Canadien d'Architecture/
Canadian Centre for Architecture, Montréal
Existiert in
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Montreal
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CCA
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DR1970:0003
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Androuet du Cerceau, Jacques: Palastfassade (Einzelblatt?)
Existiert in
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Montreal
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CCA
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Notizen
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Existiert in
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CCA
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DR1974:0001
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Notizen
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Existiert in
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DR1974:0001
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001